It’s a family of six quality standards, from the space-saving 'ProRes 422. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. Prores would be ideal in this case. Cineform uses "wavelet" compression, which means that computing up/down resolutions is very fast compared to other codecs. PNG has only 8-bit per channel (24-bit). 0 in 360 mode. Apple ProRes; Avid DNxHR; Blackmagic RAW (which is not a RAW format, but we’ll save that discussion for later. Just no h. roger. DNxHD and ProRes, or H. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. Codec science is unbelievably complicated. is an even better scenario than proxies for some because you have the benefit of much better playback performance, and you can use smart rendering to make your Cineform exports lightning fast. . Cineform is wavelet based (like Jpeg2000, so that's why can be easily decoded at different resolutions), where DNxHR is DCT based, like most codecs out there (ProRes, AVC,. ProRes 444 is 12-bit. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. To create proxy. Votes. Quote:Cineform "Visually Lossless" is extremely fast and size vs quality may be adjusted in very large limits. you may need better quality. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). 3, MacOS 12. The added benefit is much faster exporting by using smart rendering. Cant seem to find and reference to VLS player, though I do use VLC player. Even if it's screen recorded and then saved as ProRes, it's still and end-of-workflow format. Then drag/drop the files one by one onto the MediaInfo icon on your desktop, and go into that apps' "Tree"viewing format. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. Aug 19, 2022. So why not H. Bookmark the permalink. Neither cineform nor h. 1. Go to Sequence > Sequence Settings > Editing Mode: > Custom. Even using Film Scan 2 though, I am not seeing the same level of. When delivering HD, I noticed no difference between 4K ProRes HQ and 4K ProRes. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. 264 to something else is probably a good thing. The disadvantage is that it will only encode on Mac. Otherwise you can upload ProRes, Cineform, high bitrate h264/5 etc and you will get visually the same quality as youtube adds a lot of compression on top of every uploaded source. I consider the following to be valid containers for these codecs. MFX as mentioned above is a container that can hold intraframe or interframe codec. Intermediate vs Long-GOP in a nutshell. If we think about ProRes or DNxHR/Cineform or any other intermediate codec as a high quality master/working format then they should be actually RGB based end always full. ago. It's quite easy to „prove“ though. 265. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. 5 GB per minute. NOTE: Here’s an article I wrote a few months ago that describes the HEVC codec in more detail. 264 is rather slow) but that's okay. epr" extension. Over time more features have been added, from HD, to 3D, to 4k and beyond. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. 264 didn't have 10-bit implementations and H. 265, vp9, dnxhd, cineform and prores. Export settings in Resolve: 10bit 422 YUV Cineform highest from Lightworks is Filmscan 1 Cineform standard, more or less equivalent to. Davinci Resolve encode: YUV 10-bit, RGB 16-bit. The implemenation here is derived from reverse engineered work, which many claim to be inferior, but that has yet to actually be. I would recommend only using ProRes 422 or ProRes 422 HQ if you’re starting with a 100Mbps h. 화질 테스트. 264/AVCHD, own that space now. 1. fs454 • 4 yr. 264 uses long-GOP compression, it can pack a lot more information into those 100 megabits than ProRes can. Blackmagic Design admits that Blackmagic RAW is one of their biggest announcement yet. There’s more tech involved. 6K Equilateral Cineform Film Scan 1 - 46. Highlights: read and write AVI, MP4, MOV, MKV. Short Answer: YES, we still need them and will continue to for a while. So. Long answer: Hardware manufacturers (cams,. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. You want a intraframe codec (ProRes, Cineform etc), because then you will be able scrub much faster than using a interframe codec (H264) Simply transcode you footage into a intraframe and you’ll be good to edit with it. Cumi. Cineform is an excellent alternative, but a bit slower on Macs. Joined: Thu Feb 07, 2013 5:07 pm. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. 360 - File Size 3. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. So here's an attempt at. Enter the. As such ProRes is available in the following modes, from lowest quality to highest: ProRes 422 Proxy; ProRes 422 LT; ProRes 422; ProRes 422 HQ; ProRes 4444; ProRes 4444 XQ; 4444 and 4444 XQ are super high-end versions of the codec meant for situations where 4:4:4 chroma subsampling and/or an alpha channel (transparency) are required. Which video format is used for video compression? Ans. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. What video formats can Xbox One Play? Ans. Apple ProRes [10-12bit] will now be. ProRes, DNx and Cineform are all optimized for editing. fs454 • 4 yr. (It is said that ffmpeg is also possible, but I heard that it is not an official codec, so there may be problems when playing or editing. with actual version of cineform you can use command line to convert DNG to cineform raw, i did it with a simple . Exporting out of one generation (camera originals) of H. Additionally the CineForm files are loss-less. For the encoding part it's not too much of a problem (it would be a good addition anyway), youtube accepts ProRes, Cineform and DNxHR (if someone wants the top quality. PNG or . 2 Upvotes. MXF should work as that is also SONY. 264/265, both will be smooth. 在Windows系统输出ProRes主要依靠第三方编码器，这样输出的视频参数相对于官方编码会有所差别，质量无法保证，并且第三方编码器只能说是仿造，在实际使用过程中可能会出现谜之Bug。. Exporting out of one generation (camera originals) of H. How to Render GoPro CineForm 10-bit Video. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. not interframe formats. 264等面向分发的格式解码更简单。. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. Neil. Set the Codec to Apple ProRes and select one of the available options (e. Since the DSLR images start as H. Various containers have different compatibility with various codecs. • 2 yr. The optimised files might then be one-tenth the original size, eliminating performance bottlenecks. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. Gopro CineForm RGB 12-Bit with Alpha At Maximum Bit Depthface. CineForm was the first of its type to focus on speed, while supporting higher bit depths for image quality. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. HEVC compresses video in a more efficient manner than AVC but with the same level of image quality. 264 and MPEG-2 which tend to be around 4:2:0+ can easily preserve this old footage while saving you space on your hard drive. 嘿，这里是 源源捣。 最近我为大家分享了利用DNxHR、Prores、CineForm这类中间编码文件代理剪辑视频的方法，不过前不久在我为大家分享如何用PR制作三连小动画时，片尾提及了动画编码格式。因此本文会为大家更加详细的介绍一下动画编码格式以及它与其他三个编码器的适用场景。The quality difference between using something lossless and a purpose-built intermediate codec like ProRes, DNxHR, or Cineform is going to be negligible after you compress to h. 264 codec. ProRes Proxy - DNxHD 36 ProRes LT - DNxHD 80. Hello! I noticed, that when i'm importing these types of files. " Well, DNxHD is also on the chopping. Then, choose a Video Codec such as Animation, Apple ProRes 4444, or GoPro CineForm. Just export some seconds of plain black to CineForm and to ProRes. For this reason, many post-production facilites have abandoned ProRes and implemented a full DNxHR workflow. It must decode every frame fully. 264 is absolutely backwards. First you will need to go to your export window: File - Export - Media…. – stib. In order for ProRes to match the image quality of h. When comparing CineForm to other popular codecs like H. Codec vs. One of the best and most versatile codecs is GoPro Cineform (which is found under the QuickTime format). However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. Last, but not least, is a sample of GoPro's Cineform codec processed through Adobe Media Encoder. Votes. I. Studio for >=4k/Dolby P3D65. It's ~175M at HQ, and ~80M in LT. DNxHR and ProRes are comparable in quality at the same bitrate. For Preset, select Apple ProRes 422, normally called just ProRes, or Go Pro CineForm YUV 10 bit. h. To get better performance in the edit, you need to use an intraframe codec like Prores, Cineform, or DNX. ProRes HQ (avg: 61. 264, you need a much higher bitrate. You can edit Apple ProRes files in the Photos app or iMovie on iPhone, iPad, and Mac, Final Cut Pro for iPad and Mac, or in third-party editing apps that support ProRes. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. ProRes 4444 (avg: 67. 6k mini with a real person then exported as DNX HD 444 12 Bit with the same minor adjusts to the log clips, saturation and contrast. 264 files to a 4:2:2 using NeoScene to coddec of Cineform 422 on the ProRes 422 with MPEG clipstream or Adobe Media Edcoder? Thank you. more. 264 and ProRes, CineForm stands out for its ability to retain more detail and color information. 265 requer uma quantidade menor de largura de banda em comparação com os codecs H. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Thus CineForm 444(4) would be a more appropriate intermediate and interchange format these days. With that said, I am. 264 is one of the worst codecs you can edit. Now is the time for a tea break, stretches or anything to get away from your. Use Hybrid to convert the MKV to Prores (minimum of Prores 422 format, 4444 is better) or Cineform (Film Scan 2). 9)GoPro CineForm; NONE: Uncompressed RBG 8-bit; ProRes 422; ProRes 422 (HQ) ProRes 422 (LT) ProRes 422 (Proxy) ProRes 4444; NOTE: Smart rendering for QuickTime codecs is automatically enabled any time the source settings match the export settings. Codec MP4. Now the difference between a proxy and an intermediate. Step 2. As an animator I always choose intermediate over lossless – partly because I’m too lazy to install Lagarith Lossless again, and partly because there is no quality difference visible to the human eye between lossless and intermediate. Thu Mar 30, 2023 6:16 am. In case of ProRes disk read doesn't scale down. 264 and HEVC have poorer quality than ProRes, for example. My source files are already 4K ProRes MOVs, but since Premiere on Windows can only decode ProRes, full-res performance is pretty sluggish even at 1/4 the resolution. Drag the H. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. First up is Avid DNxHD 175 8-bit. MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid; MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere; MOV/MXF (JPEG 2000) - Used with Avid, Premiere and Final Cut X; MOV (Animation) - Used with Avid and Premiere; Most of the mezzanine files above are available in Adobe Premiere, Avid and. CineForm is compressed raw, much like REDCODE on the RED Epic. Follow; Report; More. They're not painstakingly tweaked for the best possible quality at a given bitrate. 8-1. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Hollywood, California 90038 USA. To illustrate the differences, I took my original test video into Adobe Photoshop, added the compressed video to the layer above, set the compressed video layer’s blend mode to. for use in post-production that supports video resolution up to 8K. Codecs are invented to compress and decompress multimedia data in your video file in either a lossy or a lossless manner. The target data is 147 Mbps. Any of them are good. It has a target data rate of 102 Mbps. All of these codecs, including Apple ProRes, work on macOS and Windows 10. But if a scene only needs 10 bits, then Cineform will use 10 bits. It will help you determine how much room you need in order to create an effective and professional-looking video. I see no option to continue using quicktime and cineform. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. Cineform is still very new on the scene, and thus not a lot of tools know what to make of it. Often, you can begin editing immediately after recording. Native, Kakadu RGB, YUV422 and YUV444 (8‑bit,. exe" c:framesourcesource*. Initially, H. 视频去哪了呢？. ProRes 4444 vs GoPro Cineform for color. Worth mention is that one have a Quality slider for all CineForm exports. check out their converter and try for yourself. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. ProRes is originally deveoped for high-quality editing in Final Cut Pro. Xbox One supports . These were encoded by Adobe Media Encoder to the MOV container using Avid’s official Quicktime codec. 264). 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. But all this not visible for human eye. Community guidelines. Typically I use the following codecs - h. Various containers have different compatibility with various codecs. FFmpeg contains two ProRes encoders, the prores-aw and prores-ks encoder. HEVC – High Efficiency Video Coding. These become the new master files from this moment forward. īecause companies publish their own specifications in different formats, it can be difficult to compare codecs directly. 7. HQ and ProRes 422, 422 HQ and 4444. mov ProRes 4444 XQ 10bit. ProRes 4444 (avg: 67. DPX, or any other combination, you’ve come to the right place. ProRes is only standard because of apple ecosystem. Use Shutter rather than Media Encoder for h. Or sign in with one of these services. For a look at ProRes in 2009, check out Gary Adcock’s article here, and for the modern, official details, check Apple’s white paper: PDF. There are a lot of variations of ProRes such as ProRes 422 and ProRes 4444. youtube re-encode it anyway. Lance Bachelder. AVC is short for Advanced Video Coding, and the standard was first published in 2003. Codecs designed for editing (DNx, Pro Res, Cineform) will performance WILDLY better than h. Traditionally video codecs have been defined by chip makers and not by software developers. A valid assumption. will do the trick. FYI, ProRes encoding on Windows has been added to the Premiere Pro (and Media Encoder) 13. Results can be emailed or copied to the clipboard. Now we can answer the question of how to calculate video file size, and here is the video file size formula,Hello, Everyone. NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic. As a result, ProRes 422 offers even better real-time editing performance. ProRes is resolution independent which means it can accommodate any size frame of your choosing. It is truly raw and nothing is baked in. 264. So why not H. I exported it from Premiere as an H264 . DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. I used it long before either GoPro or LWKS were on the market. Select the format best suited for. Report. Report. (h265) - High-efficiency video coding is the successor of Advanced video coding. Simple Steps on converting HEVC/h. It's lossy and it's size is worse than lossless FFV1. Practically speaking, the ability to only decode ProRes is not enough to build a solid ProRes workflow. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. you can found on cineform documentation. 264 for possible quality though much bigger in file size. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. Apple. 3 Most Popular Intermediate Codecs There are three main intermediate codecs that are industry standard: Apple ProRes GoPro's CineForm Avid's DNX Export. ProRes is so 2007. It therefore ensures high-quality results while managing large 4K video files. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. MXF should work as that is also SONY. I usually use ProRes Proxy at 720p, which will require about 45mbps for 60fps (about 20GB per hour of footage. Aug 19, 2022. 7. So the difference in file size and data rate is rather small (this was using. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. ProRes is resolution independent which means it can accommodate any size frame of your choosing. If you're making a complex edit with effects H. UPDATE: WHY USE HEVC – PART 2. 26 GB. Yes, ProRes 422 is vastly better than any H. 7. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). mov master file itself, but rather only when I try to re-encode from that master. As soon as I saw the announcement, I was curious. I am working with 5. I dont understand its purpose any longer. After FFMPEG implemented their version of ProRes everyone hoped. AVC is a very strange and unique file extension since it. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Between the prores and cineform, I'd say there wouldn't be much difference apart from the file size maybe? I don't have much experience with Prores as I'm on a PC. Set the CQ value to 1 to create a visually lossless file. 37GB, 864Mb/s, 5760x2880. 264. Render your Timeline as you go, or at least before exporting. Except for Adobe, it seems that it is impossible to encode Prores CODEC in Windows os. 264? The hard truth is that H. )For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. I would recommend only using ProRes 422 or ProRes 422 HQ if you’re starting with a 100Mbps h. These files are created for fast editing and are still highly. mp4 HEVC 444 10bit/16bit. CineForm 422 vs ProRes 422. Advantages of Apple Prores format as an editing codec. Meaning that all frames are complete data-sets for that frame. Select Ok Step2 Media encoder will open and start transcoding your footage automatically. O H. - LR Timelapse, Lightroom, After Effects, Photoshop, Premiere, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. Existing ReelSteady Go app users, however, can use their existing. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. 264 is one of the worst codecs you can edit. Speed effects, time remapping, or reversing the clip are definitely in the "complex" category for H. MXF OP1A mxf Apple ProRes Yes – Yes – Yes – MXF OP1A mxf Alexa Mini Yes – Yes – Yes – MXF OP1A mxf Canon EOS C300 8 bit Yes – Yes – Yes – MXF OP1A mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes DaVinci. 2. 5. 265 didn't exist. I don't care about file size so which codec is best for me. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. In most cases, ProRes is a better choice than MPEG for. ProRes supports 10-bit color and retains more of the color than H. In order to transcode the ProRes file to your target codec, you need a tool that supports reading the first and writing the second one. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. In all the tests that I’ve done, Cineform is surprisingly effective at being an easy-to-process codec. ProRes 1080 is around 115Mbps. 3: In Adobe Media Encoder add the folder all the footage resides in as a watch folder. more Understanding. . I have updated to Adobe Premiere Pro 2022 and the surface has changed. 264 is a very compressed and algorithm heavy encoding. Yes, you should transcode to an intermediary codec such as Cineform or ProRes (if you happen to be using final cut). 5. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Reply. 264 precisa de cerca de 32 Mbps de velocidade para fazer a mesma coisa. If you want a different ProRes format, open "Parameter settings" windows and select any option in the "Video Encoder" drop-down list, including ProRes 422, ProRes 422 Proxy, ProRes 422 LT, ProRes 4444 XQ, and ProRes 4444. 5. In this video I show and discuss the differences between. Import clips into Davinci Resolve, and output ProRes proxy files; Do editing work in NLE like FCP or PR software, and then output. ProRes and other high-quality video codecs like Avid’s DNxHD aren’t much good for sharing–the files are way too big for sharing on the web. 264, when compressing media: HEVC supports frame sizes larger than 4K, H. An iPhone 13 (ProRes) can shoot 4K videos that are 5. Upvote Translate. 2) 5. So with Cineform, if a frame needs 30 bits, it'll get all 30 bits, whereas ProRes and DNx will limit the bitrate to 20, thus reducing quality. In. 264 file into a high quality edit friendly codec like one of the flavours of ProRes, DNxHR or Cineform, with ProRes 422 HQ being perhaps the most common. 6K Equilateral Cineform Film Scan 2 - 94. The Inspector also provides a way to monitor codecs. I am not the prosecutor in a court room here. This tutorial will gui. And we’re talking intermediate codecs, here, we’re not covering camera codecs. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. ビットレート比較. We’ve done a ton of testing with DSLR footage to various codecs – on the Mac side ProRES HQ is great – no reason to go lower quality especially if you plan to take into Color or similar for timing/fx. I’ve seen DNxHD/HR be. I use and recommend Cineform 10 bit at 1/4 resolution for Optimized Media. 1, MacOS 12. 1) 6. BTW: Check the size of the main folder and proxy. 264 to something else is probably a good thing. 264 instead (at the same data rate). There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Examples are ProRes, Cineform, and DNxHR. Best is not to choose H. I know a good number of people starting using Cineform again. Pepper) When it comes to creating archival/master files, there are a few competing codecs to consider, the most popular of which are ProRes, DNxHR, and Cineform. TIFF. DNxHR 444 and ProRes 4444 XQ are the only codecs that fully preserve the details needed in HDR- (high-dynamic-range) imagery. It's never advisable. So we’ve scoured the Internet and brought them all into a single page. An important difference, however, is that some of the major editing and finishing systems available lacks support for ProRes encoding for Windows. GoPro Cineform, the cross-platform codec now in Creative Cloud, also produces high quality results. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate codec. 8. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. So ProRes, DNx and Cineform qualify. Probably slightly better IMO, but both should be visually lossless. if media is compressed using independent frames, rather than GOPs – for example, ProRes, DNx, Cineform, XDCAM and several others – it is considered optimized and FCP won’t optimize media that. Explanation: Intra-frame vs Inter-frame Compression These formats are equally great, and work the same, though some have their preferences for. I used Cineform codec for years. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. Apple ProRes is a high quality intermediate codec used for insanely fast editing performance, at the cost of extreme CPU, Memory and Disk requirements compared to other codecs. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. The press release in the GoPro. But I read an article somewhere a few weeks ago, it was a comparison between Prores, DnxHd and Cineform. I’ve always strongly felt that cineform’s 4:2:2 space is an advantage for many types of work, so I’m surprised to see so many people going for 4:2:0 prores LT. It's not ProRes that is buggy, as hundreds of high-quality productions in that codec prove. So we’ve scoured the Internet and brought them all into a single page. Exporting out of one generation (camera originals) of H. Sat May 28, 2022 7:19 pm DNxHR and ProRes are comparable in quality at the same bitrate. While there are some exceptions of apps and devices that can play ProRes. If you're ever exporting graphics from After Effects and they have a transparent background, you're going to need a codec with an alpha channel. DNxHR and ProRes are comparable in quality at the same bitrate. This is a beauty of Cineform. ”. 264? The hard truth is that H. . At full quality it's not that much easier than ProRes or DNxHR. Render previews of any clips with effects and clips that are not the same as the new smart. ) You can always toggle the proxies off if you need to view the image at full resolution for VFX work or whatever. To create proxy. Explanation: Intra-frame vs Inter-frame Compression Intraframe formats are equally great, though some have their preferences for formats, quality choices, and frame sizes. Or even still frame sequence . Yet another editing compression scheme with similar performance to Apple ProRes and. Translate. Software. 976.